Wednesday, August 17, 2016

A fencing shirt based on the 11th century viking Viborg Shirt.

Summarized from An 11th century linen shirt from Viborg by Mytte Fentz:
Excavations in the eighties by Viborg Stiftsmuseum established that the town of Viborg, situated in the centre of Jutland, already existed in the Viking age. The site, on the shore of Søndersø, was inhabited from about 1000 until about 1300, when it was submerged in connection with the building of a royal stronghold. Parts of houses, well constructions and fences as well as other archaeological objects found were all in a good state of preservation; also found was a big lump of textile material which was placed in a pit that apparently was a post hole. This pit belongs to ceramic layer I, which is roughly dated to the 11th century.

In the damp environment of Søndersø the conditions for preservation were favorable to the organic objects found. Textiles of plant material are usually found only as small fragments, so although the linen shirt is not preserved complete, the find must be considered extraordinary.

Analyses of the textile material, the different fragments and the seams revealed that the find was the greater part of a male shirt made of Z/Z-spun, linen tabby. Based on the interpretation a reconstruction was made it is a rather slim-fit poncho, without seams on top of the shoulders, the skirt being open on both sides; the neck lining is continued into two ribbons for tying. It is presumed that the shirt had long sleeves.

The Viborg garment is the only profane shirt/tunic from the Viking period so far found in Scandinavia or in Europe as a whole. These tunics, the cut of which is Persian-inspired, can be followed throughout the Mediterranean countries in the latter half of the first millennium. The slim-fit poncho cut of the Viborg shirt fits into this line of development, and scattered finds in Europe show that this cut continued to be used after the Renaissance.

My interest in this tunic
The Viborg shirt is well known for the quilted pattern on front and back, and for the many intricate seams used to assemble it. Looking for a dual layer quilted Viking tunic as a fencing shirt for my husband this pattern stood out. As I would be dealing with double duck cloth instead of pliable linen most of the seams would have to be machine sewn and a big part of the challenge of this project was to figure out how to machine sew while not showing any machine stitches.
The hand openings and neck line are hand sewn as the neck opening was used to turn the double layered garment inside out. The quilting pattern is also hand sewn and uses a running stitch.

Unfortunately the unusual neck opening does not work for a fencing shirt as the long slit could catch a blade. Fortunately the fencing hood obscures the neck opening anyway so for a fencing shirt the design of the neck opening is not so crucial.

The wide arms as used in the original pattern don’t work well for a fencing shirt; the billowing elbows in double duck cloth feel obstructing and could also catch a blade, while obscuring the silhouette of the fencer. So I opted for a standard triangle tunic arm.

The Viborg shirt Reconstruction
         Remnants front of shirt                          Remnants back of shirt

   
Reconstruction of Front of shirt                     Reconstruction of back of shirt
                                                                       
1. Shoulder apex. 2. Longitudinal sleeve seam. 3. Lower sleeve seam. 4. Sleeve gusset. 5. Sliding band. 6. Panel piece, right. 7. Lateral seam in shirt body. 8. Shirt body, front. 9. Flap, right tail. 10. Neck opening. 11. Panel piece, left. 12. Square. 13. Fixation seam. 14. Waist. 15. Flap, left tail. 16. Skirt.

The Pattern
The original pattern for the Viborg shirt

         
The simplified version of the Viborg shirt, suitable for machine sewing.

Instructions on how to make a fencing replica
Choose a fabric that will pass the punch test: two layers of duck cloth will work fine.
Using a tunic that fits for size, transfer the measurements from one over to the other. Keep in mind that this tunic has a narrowed waistline so to make sure it will fit over the shoulders use the width of the base tunic as the narrowest point on this tunic.

The overlap of the front to back is 5 cm or 2 inches. The waist quilt seam is at about hip height, the panels come to just over the knees. Make a mock up on paper and double check measurements with your base tunic.

Fold your cloth double, and pin the paper pattern. Cut out with seam allowance. Attach the underarm gore to the arms, and the arms to the body. Sew the body to the top of the panel. You should have two partially sewn tunics, turn them inside out and stuff one inside the other (both should have the inside with seams visible, the good side is hidden). Sew the panels together.

I added a fake seam at the inside of the arms to emulate the two panel design of the original.

Turn everything outside in so the good sides are showing and the seams are hidden. With a whipstitch attach the hand hole lining to the outside and do the same for the neck opening (I used a simple oval). To stay in theme add a small cord along the edge of the neck opening even though here it is decorative, not functional as in the original design.

With a running stitch attach the inner lining to the outside in the same square pattern as the original. I opted for an undyed thread but a contrasting color could be used as well.

Conclusion
This shirt is surprisingly practical to fence in and gives my husband a good range of motion.
As we are a Viking household it is nice to see him in a Viking outfit even if fencing is technically not a Viking pastime. Bottom line, it works well and it looks good. I am so happy with the result I might even have enough fabric left to do a kid sized version for our son!


Make your own Viborg fencing tunic for your fencing viking man! With a little tweaking of the original pattern my version can be sewn by machine, in a double layer of duck cloth, leaving only the neck, arms (from turning inside out) and decorative quilt stitching to be done by hand. And honestly, I do all my visible stitching by hand anyway - it looks so much better that way!

With a little squinting you can see the quilting square on the front of this tunic, keeping the two layers in place. I used an undyed cotton, you could use a contrasting color and really make the pattern stand out.


Bibliography
Ejstrud, Bo - editor (2011) FROM FLAX TO LINEN Experiments with flax at Ribe Viking Centre, Ribe Viking Centre & University of Southern Denmark, Esbjerg

Fentz, Mytte (1987) An 11th century linen shirt from Viborg, translated by Maggie Mulvaney.
This article appeared as "En hørskjorte fra 1000-årenes Viborg" in KUML 1987; Årbog for Jysk Arkælogisk Selskab

Fentz, Mytte (-) “Vikingeskjorten fra Viborg” Viborg Stiftsmuseum.
For more about the Viborg Stifts Museum:

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