Showing posts with label Historic Soap Techniques. Show all posts
Showing posts with label Historic Soap Techniques. Show all posts

Wednesday, December 18, 2019

Frying lard and boiling tallow PART ONE


How to make lard and tallow.


Any cook interested in traditional fare will find to their surprise - or maybe not for those with continental roots - that one ingredient to have disappeared without a trace from our cookbooks and kitchens: animal fats. When we think of lard now it is not the flaky pie pastry, the crispy fries and the luscious gravy which comes to mind, but a looming vision of obesity and clogged arteries. If that truly is the case, then why were animal fats a staple in cooking, used around the globe throughout history? Our great-great-grandparents consumed butter, lard and tallow at their leisure, while experiencing extremely low rates of heart disease. How can this be?

A razor back and a pure-bred hog – allowed to free-feed on fenced off cornfields after the harvest was brought in. The method was called hogging down corn, and gives the hogs about the right amount of exercise, allows them to eat whenever they desire, and saves the farmer the labor of husking, hauling and feeding. With this method, the same amount of corn will produce more pork per animal.


Let's take a closer look at lard and tallow. Lard is the fat found in pigs, which are omnivores. This diet influences its composition, and typically, lard is made up out of 40% saturated fat, 50% monounsaturated fat and 10% polyunsaturated fat, the latter even lower in pastured hogs. You might not be aware, but lard can come from two different places on the pig. Depending on breed and raising, pigs are quite the fat factory and store much of their excess fat under the skin. This fat is called back fat, and is much lower in saturated fat than leaf lard, making for a soft fat unlikely to solidify at room temperature. Like all mammals, the other place pigs store fat is around the kidneys, and this is called leaf lard, sometimes baking lard. Leaf lard tends to be higher in saturated fat, which makes it stiffer and harder, although not as solid as tallow. Saturated fats are most heat stable, and protect the more vulnerable unsaturated fats from oxidizing with heat. As oxidized fats create free radicals, and free radicals contribute to cell damage, lard actually makes an excellent heat stable choice in cooking and baking.
            Tallow is found in herbivores, like deer, sheep, goats and cows. Most herbivores do store some fat under the skin, but it is rarely as thick as on pigs and tends to be inefficient to harvest. A very fat cow will definitely have under-skin fat, but as beef hangs much longer than pork after slaughter, the skin fat is usually left in place to protect the underlying meat from oxygen and moisture loss. Unless you harvest and process yourself, butcher store tallow primarily comes from the kidney area. Tallow is highly saturated, even more than leaf lard, making it solidify easily at room temperature. Refrigerated tallow is hard and crumbly when refrigerated, similar to cold butter.
            Used in cooking, lard is a great choice for sautéing vegetables, browning meat and pancakes (don’t forget your bacon grease!) and flaky pastries and pie crusts. Tallow is not as good for pastries as it is not very pliable when cold and because it already solidifies at room temperature it can leave a filmy feeling in the mouth after eating if the food has cooled down too much. But because of the high smoke point of tallow (400 °F / 250 °C) it works phenomenally in the deep fryer. The smoke point for lard varies (from 250–424 °F / 121–218 °C) depending if it is from back fat (lard) or kidney fat (leaf lard), and this is why leaf lard is often sold as baking lard. Therefore, when frying with lard, make sure to use leaf lard.

But lard ranks number 18 in foods richest in cholesterol! That can't be good, right? Actually, cholesterol consumption is not directly connected with blood cholesterol levels. Levels of cholesterol rise during periods of stress and inflammation, as the body produces the cholesterol it needs as a healing agent. Even more interestingly, providing cholesterol from quality fats like pastured lard, reduces the burden on the body to produce cholesterol itself when already stressed. Pastured lard is also the second highest food source of vitamin D, after cod liver oil, and well ahead of pastured egg yolks and liver. And remember, as vitamin D is a fat-soluble vitamin it requires fatty acids, including saturated fatty acids, to be absorbed and utilized in the body.
Keep in mind that these wonderful benefits come from pastured animals, with access to sunlight and rooting around and foraging, not from confined, antibiotic-laden livestock. Ask your butcher where his pork fat comes from, or even better, go directly to the source and ask the local farmer at your Farmers Market. Even though lard is making a culinary comeback, lard and tallow is often are often products produced in surplus. Our local organic butcher shop sells pork fat and rendered lard, but our local farmers often end up composting their fats as there is no market. By now, we have saved at least 500 pounds of local fat from the composting bin to render into lard, leaf lard and tallow, used in soapmaking and cooking. It might be cheaper in labor and material to buy a tub of shelf-stable lard or tallow in the supermarket, but the purity and quality of the home-produced product beats off the shelf anytime.


Born and raised on Kingbird Farm, in Upstate New York, their heritage breed pigs produce copious amounts of high-quality lard. I’ve traded and bought many a box of fat at the end of fall to use in my line of sensitive skin goat’s milk soaps.



Rendering lard and tallow for the homestead.

Identifying the fat
When you purchase lard locally or have the butcher return from your backyard livestock, it is a good idea to separate the leaf lard from the back fat. Most times, the butcher does this for you and both types will be bagged separately. Back fat resembles a thick narrow sheet of glossy, greasy solid fat, often triangular of shape when cut through. I don’t like handling back fat with my bare hands as it feels slimy and immediately makes my hands too greasy to safely handle my knife (it’s a great moisturizer, though!). Leaf fat feels dry and looks like clumps of fat globules within a balloon-like sheath. Tallow looks and handles very similar to leaf lard, the main difference being after processing as tallow will solidify more completely.


 
Sheaths of shiny back fat (top) and bundles of crumble leaf lard (bottom).


Cutting the fat
There are several ways of processing the fat to efficiently extract the fat from the fatty tissue. If you have the option, ask the butcher to grind the fat with their sausage grinder. If not, you can either grind yourself, cut the fat real small by hand, or cut the fat in manageable chunks or about an inch and give the fat a hand to help release more later in the process.


Cutting up pastured beef tallow. This particular tallow is extraordinarily yellow because the farmer pastures his heritage breed cows on lush grass, making for especially nutritious tallow high in beta-carotene.

Heating the fat
This is the point where it makes a difference if you are working with lard, or with tallow. When the fat is rendered, cooled down and solidified, tallow will float on top of the water whereas lard will be less easy to separate as it does not completely solidify. This is why pig fat is “fried” and tallow is “boiled” during the rendering process. Heat the pot and then turn on low. It is better to heat low for a long time, than heat high and be done quickly – too much heat can create musky off-flavors in the fat, let alone the risk of burning the bottom (and that really does not taste good!).


Rendering fats is a good project for during the winter, during the times the woodstove is banked. Here I am also rendering lard from pig bones, another useful source of fat.


Lard: It is easiest to start the process with some lard already rendered.  If you have none around, no worries, as a little water to prevent scourging works fine too. It will evaporate during the process, leaving you with pure fat and fatty tissue. If you want real high-quality leaf lard, do not heat the lard at all but only simmer at very low temperature, as high temperatures can damage the molecular structure of the fat.  Leaf lard has much less game flavor than back fat, and rendering at low temperatures lessens the flavor even more. This explains why bacon fat, which is belly fat fried at high temperatures, is so full of flavor!
Tallow: This is started with a decent amount of hot water, enough to fill in around the fat to about half the height of the stock pot. The water will bubble through the fat, helping to separate impurities, which then sink to the bottom into the layer of water, as fats float.

Giving the render a helping hand
When the lard and tallow chunks start to become translucent - turning from white to off-white to beige - the fat is starting to render. If your fat was not finely cut up or ground, this is the time to use a stick blender to carefully break up the fatty tissue (wear safety goggles and gloves). This trick significantly boosts the efficiency of the rendering process. It also saves time on cutting, although it might add a bit of work to separate the sludge later on. Keep in mind, if you enjoy your cracklings, then this is not the trick for you.

 

Using a stick blender to maximize fat retention. 


Filtering beef tallow using a metal colander and cheesecloth.


Cleaning the rendered fat
When the cracklings start to brown, or the blended fat starts to show separation into clear fat and opaque tissue, then it is time to filter. I use a tall metal stock pot, a metal colander and a doubled piece of cheese cloth. Do not use plastic, as the fat can be hot enough to melt or at least warp plastic. Slowly pour the fat through the cheesecloth. When it clogs up a bit, you can carefully pick up the edges, make a hammock, and slowly roll the sludge back and forth. Be careful not to let go, as cleanup is a challenge!

 


Filtering rendered lard through cheesecloth (left). 



Ground up fats make a much finer residue, which is easier to work with and makes awesome cracklings (right).


Lard typically renders clean enough in one go. Unlike lard, tallow will solidify into a cake, floating on top of the water. Remove any impurities from the bottom of the cake and it can be stored as is, or gently re-melted. Often, tallow is re-boiled several times. The more often it is boiled, the purer the tallow becomes. The repetition of this step both helps to remove even more impurities for a whiter tallow and to minimize scent. If your tallow is especially fragrant – for instance from game – and multiple boils did not help, try some baking soda in the water-boil.

Cracklings
I don’t tend to produce cracklings as now I mostly blend my fat. If you did, after filtering, fry the cracklings a bit further, until nicely brown and crispy, and, like bacon, use as a snack, salad topping or soup flavoring.

Storing your lard and tallow
Rendered lard and tallow can be stored for several weeks on the counter. Its shelf life can be extended by storage in the fridge or cold storage, and for up to year in the freezer. Lard or tallow can be poured into wide-mouth glass jars, or when cooled down enough to not melt plastic it can be poured into freezer appropriate take-out containers. It can also be pre-measured in ready to go amounts in ice-cube trays, or poured into Ziplock bags for minimal storage space.



One year’s worth of lard and leaf lard, ready for freezer storage and next year’s cooking and crafting projects.


IMAGES


·       All process and product photography by author.

Saturday, September 9, 2017

14-15th century soap recipes from The Crafte of Lymming and the Maner of Steyning, O.S. 347, part 3.

The Crafte of Lymming and the Maner of Steyning. O.S. 347.
Middle English Recipes for Painters, Stainers, Scribes and Illuminators. Edited by Mark Clarke. The Early English Text Society, published by the Oxford University Press, 2016.
© Translations by Susan Verberg, 2017

S7 London, British Library, MS Sloane 73 [#1700]
Part III. Individual Manuscripts; BL Sloane 73 (p. 204, 205, 206)

[Remainders of Text C, the majority edited with The Trinity Encyclopedist, p. 3.; blogged previously]

[§C1] Blak sope schal be maad of capital and of oyle togidre. ‘Capital’ is a lye: yt is maad of the axes of been halm {eÞer of wod ashen} and vnsleckid lym, but Þe axis schule be double to Þe lyme, and it schal be maad in the maner of lie, but after Þat it haÞ Þe strengÞe of Þe Þrift of Þe firste axen Þat Þou heldist it on: Þu schalt hilde it on newe axen til [it] be wel maad. It mot be cleer as lye, and so strong and Þicke Þat it wole bere an ey Þat it synke not to Þe ground. And Þanne put Þe clere lye in a vessel wel closid to Þe morwe… [Thereafter as T §58, to f.196v]

[§C1] Black soap shall be made of capital and of oil together. ‘Capital’ is a lye: it is made of the ashes of [bean stalks] {or of wood ashes} and unslaked lime, but the ashes should be double to the lime, and it shall be made in the manner of lye, but after that it has the strength of the leach of the first ashes that you hold [pour] it on: you shall hold it on new ashes until it is well made. It must be clear as lye, and so strong and thick that it will bear an egg that it sink not to the ground. And then put the clear lye in a vessel well closed to the [next] morning… [Thereafter as Trinity §58, to f.196v]

[§C2] {White Sope} Forto maken and forto turne blak sope into whit [=T §59]
[§C2] {White soap} To make and turn black soap into white [=Trinity §59]

[§C11] {Blak Sope} Here is anoÞer ressert of blac sope. Tak one buschel of wood ayhsis, and .j. bu[sh]el of lym vnquent, and .ij. buschelis of comun aschis, and medle hem wel togidere; Þanne tak .iij. or .iiij. or .v. or .vj. tubbes maad of half barelis ‘or’ of half tunnys, after Þat Þi werk is more or lesse, and set euery vessel by oÞer, and make a hool in euery vessel botme, and leye in euery vessel a quantite of straw; Þanne departe Þi forseide aysthis and put into euery vessel ylyche myche, Þanne tak water and put into euery vessel so Þat Þe aisches be wete Þorwh, and se Þat a litil of Þe water come Þorwhout, and serue so euery vessel, Þanne tak what water Þu wilt and put to Þi firste vessel what quantite Þu wilt after that Þu hast of ayschis, and let renne Þorwhout, and so Þorwhe Þe secunde, and so Þorwhe alle into Þe tyme Þat Þou leye a wollen cloÞ in Þi lye and it dissolue Þerynne, and Þat is Þe assay; Þanne tak a vessel wiÞ a deep botme, a panne or a furneys as Þe nediÞ, more or lesse after Þat Þi werk is, and put yn .iiij. galous of lye and a galoun of oyle de olyue, and raÞir Cyuyle Þan ony oÞer, and raÞur Þe groundis of tunys Þan clere oyle, and seÞ hem wiÞ strong fyer, and stere it wel among, and so contynue it to it wexe Þikke and blak, and Þis is Þe assay: tak a sklice and tak vp awey, and leye it vpon a cold ston, and whanne it is Þikke and blak ynowh, sette it fro Þe fyer, and put it in a barell or yn anoÞer vessel swich as Þu wilt.

[§C11] {Black Soap} Here is another recipe for black soap. Take one bushel of wood ashes and 1 bushel of unquenched lime, and 2 bushels of common ashes, and mix them well together, then take 3 or 4 or 5 or 6 tubs made of half barrels or of half tuns, after that the work is more or less [occasional], and set every vessel by the other [could also mean on top of each other], and make a hole in every bottom, and lay in every vessel a quantity of straw; then take the previously mentioned ashes and put into every vessel [the same], then take water and put into each vessel what quantity you want as that you have of ashes, and let it run throughout, and so through the second, and so through all until the time you lay a woolen cloth in the lye and it dissolves therein, and that is the assay; Then take a vessel with a deep bottom, a pan or a furnace as is needed, more or less after that your work is, and put in 4 gallons of lye and one gallon of oil of olive, and [???], and [?] the grounds of [?] then clear oil [???], and cook [simmer] it with strong fire, and stir it well together, and so continue this until it becomes thick and black, and this is the assay [test]: take a slice, take it up away, and lay it on a cold stone, and when it is thick and black enough [it does not slide down and pool], set it off the fire, and put it in a barrel or in another vessel as such as you want.

[§C12] {Whit sope} Tak twey bushell of wood ayschis, and a buschel of lyme, and Þre buschelis of comun ayschis so Þat be no ayschis of ook Þerynne, and brenn Þi comun aysches twyes, and make a leye in Þe same wyse as Y reherside bifore, and put it in a vessel wiÞ a flat botme, and in .ij. galouns of Þat lye put .iiij. li. of talowhe, what talowhe euer it be, and euer as it seÞiÞ put Þerto more of lye, into Þe tyme Þat o galoun be put yn [.vi. tymes], and loke it be wel ysterid among, and tak vp Þerof alwey to it be swich as Þu wilt haue, and contynue Þe fire wel and Þu schalt not faile.

[§C12] {White soap} Take two bushels of wood ashes, and a bushel of lime, and three bushels of common ashes so that there be no ashes of oak therein, and burn [I think he meant slake] the common ashes twice, and make a lye in the same manner as [is said on the reverse] before, and put it in a vessel with a flat bottom, and in 2 gallons of this lye put in 4 liters of tallow, what ever [kind of] tallow it might be, and ever as it cooks [simmer] put thereto more of the lye, until the time a gallon is put into it (6 times), and look it be well stirred around, and take up thereof [when it gets thick?] as you would have, and continue the fire well and you shall not fail.

D Cambridge, University Library, MS Dd.v.76 [#0379]
Part III, Smaller Collections (p. 222)

[§25] To make Spaynes sope wirke it Þus. Take a li. of gode blake sope, and a quarteron of whete flour pūred, and a quarteron of small salte, and temper Þam all togeder with cleyn water, and crusse Þam well togeder with Þi handes, and Þan put it in a forme made for it, and late it drye vp on a kake, and when it es nowther full drie no ful wett set Þeron Þi marke, and late it dru vp Þan at all Þe fulle agauyne Þe wynde and noght agayne sonne.

[§25] To make Spanish soap work it thus. Take a liter of good black soap, and a quarter of wheat flour sieved, and a quarter of small salt, and temper them all together with clean water, and crush them well together with your hands, and then put it in a form made for it, and let it dry up into a cake, and when it is not yet fully dry nor fully wet set thereupon your mark, and let it dry up then expose fully to the wind and not in the sun.

London, British Library, MS Sloane 963 [#1845]
Part III, Smaller Collections (p. 244)

[§BI] Forto make Frensche sope. Take vnqueynt lym and make powder therof, and bene assches, and medele all these togedyr, sumdel more of the bene assches than of the lym, and putte alle thses togedyr in oylle that ys old, and lete hit boylle togeder tyl that hit be thykke. And Þanne put hit in cofyns and hit ys thanne jmaad.

[§BI] For to make French soap. Take unquenched lime and make it into a powder, and bean ashes, and mix all these together, somewhat more of the bean ashes than of the lime, and put all these together in oil which is old, and let it boil together until it is thick. Then put it in molds and it is then made.

[§B2] Forto make whyt sope. Take bene assches, and nyȝ as moche of vnquent lym, and make thereof fyn lye; and of that lye take a galoun and to that galoun take o pynte of water that lym ys slekked in, and putte hyt togedyr, and put therto .iiij. li. of fyn puryd schepys talowgh, and late hit boylle tyl hit be ryȝt thykke, and thanne cofyn hyt, and Þanne hit ys maad.

[§B2] For to make white soap. Take bean ashes, and not as much of unquenched lime, and make thereof a fine lye; and of that lye take a gallon and to that gallon take a pint of water that the lime was slaked in, and put this together, and put thereto 4 liters of fine pure [or putrid] sheep tallow, and let it boil until it is right thick, and then mold it, and then it is made.

Oxford, Bodleian Library, MS Ashmole 750 [#2330]
Part III, Smaller Collections (p. 250)
[§A1] Forto mak whyte sope. Tak stondyng water, and askys of bene straw, and temper hem in a vessel, and set hem over the fyre and let hym bole wel togedre; a Þan put to hem a procion of vnsleccyd lyme, and bole hem wel togedre to Þat le wyl bere a ney, Þan tak doune thy panne and clens clene that lee Þrough a clothe; an put of that lee 3 potels in a panne, and do Þarto a povnd of clene moltyn talow, and bole hem wel togedre til it wex sumdel thyk. And Þan put Þerto a quarton of smal salte, and bole it til it wex wele thyke. Set it Þan downe and let it kele, and whan it is colde tak a sclyse and aforou Þroughoute thy mater in the panne, and poure out Þi blak water clene, than set it aȝeyn ouer the fyre and let it bole, and put Þerto a quartoun of bene askys temprid with colde lee as afore, and bole al togedre til it be thyk, and annone put it Þen fast into formes made like cofyns, and let it stond and kele to it be hard.

[§A1] For to make white soap. Take standing water, and ashes of bean straw, and temper it in a vessel, and set it over the fire and let it boil well together; and then put to it a portion of unslaked lime, and boil it wel together to that [it will bear an egg?], then take down your pan and clense clean the lye through a cloth; and put of that lye 3 potels [half a gallon] in a pan, and do thereto a quart of small salt [broken in small pieces], and boil it until it becomes well thick. Set it then down and let it cool, and when it is cold take a whisk and mix throughout the matter in the pan, and pour out the black water cleanly, then set it again over the fire and let it boil, and put thereto a quart of bean ashes tempered with cold lye as before, and boil it all together until it is thick, and at once put it then fast into formes made like coffins [molds] and let it stand and cool until it is hard.

[§A2] Forto mak whyte sope. Tak .iij. partes of lyme, and ‘two of’ askys of asche tree, and styr hem well, and powre oute the water, and sethe hem well togedre, and than streyne ‘Þi le’ thorow a clothe, and set it apon the feer and sethe we[ll] to the tyme will strik of a feder fro the pen; than tak .j. pownd of talow to euery galon of lee, and let it sethe well to it wexe thyk, and Þan put in salt .iij. or .iiij. hanful, and let it seythe a qwyle, and tak it doune.

[§A2] For to make white soap. Take 3 parts of lime, and two of ashes of the ash tree, and stir it well, and pour out the water, and cook [simmer] it well together, and then strain the lye through a cloth, and set it upon the fire and cook well until the time it will strike off the feather from the pen [dissolve the feather; makes it crumbly]; then take 1 pound of tallow to every gallon of lye, and let it cook [simmer] well until it becomes thick, and then put in salt 3 or 4 handfuls, and let it cook [simmer] a while, and take it down.

Friday, June 30, 2017

Alum faces; an unusual Medieval Ingredient

In period known as alumen faecis, alom de fece, lume di fecca, lume de fezza - alum feces is an often mentioned medieval chemical ingredient which, surprisingly, has nothing to do with alum. Alum of lees (alumen faecis) is potassium carbonate and made by burning the sediments of wine, called lees. During the fermentation of grape juice harmless crystalline deposits separate in wine as crude tartar and are deposited in wine casks. These deposits consist mostly of tartar, the potassium salt of tartaric acid,  with small amounts of cream of tartar and of pulp debris, dead yeast, and tannins; impurities which contaminate the potassium tartrate. Tartrates separate from new wines because they are less soluble in alcohol than in non-alcoholic grape juice. Approximately half of the tartrate soluble in grape juice is insoluble in wine, and in white wines the sediment can look alarmingly like shards of glass.  Crude tartar was well known in our time of study and is used as an ingredient in many books of secrets dealing with medicinal recipes, fabric cleaning, dyeing, &c. This is what Ruscello Girolamo, author of the Alexis, has to say on tartar: "Note: Tartar signifieth dried leyes of wine, in English is called Argill, wherof be .ij. sorts, white and red." Unfortunately, while recipes using the ingredients are plenty, instructions on acquiring and purifying chemical ingredients including tartar and its derivatives are rare, up until  the late 17th to 18th century as attested by the 1842 A Dispensatory the pure salt was first prepared during the last [18th] century, and its constitution was unknown [before]”.

My impression is that the craftspeople worked things out very well by trial and error, but did not know why certain combinations worked. This could show in the inclusion of superfluous items, ingredients with no apparent use; for instance juice of celandine has no cleaning properties as far as modern chemistry is aware. And in the addition of specific combinations of ingredients (chemicals) which would react with each other (chemistry) to create a new ingredient, which would significantly boost the workings of the recipe, without knowing why it worked more effectively. For instance, the combination of alum feces (potassium carbonate) with crude tartar (dipotassium tartrate) would chemically react and precipitate cream of tartar (potassium bitartrate), a more effective stain cleaner than tartar itself. While it is not difficult to crystallize cream of tartar out of crude tartar and use as a straight ingredient, the question is: were the medieval craftsmen aware of this chemical and did they find it easier to produced it in situ, or did they use the round-about way as they did not know, aside from, this works?
 
Naturally occurring winestone from white wine, untreated.

From working with soap recipes I had come across the mentions of tartar, alum feces and alum catini multiple times, and as part of my soap research I wanted to learn how to make these from scratch. While it took me about two years to find a reference to alum feces to mean burnt lees of wine by way of a Pennsic workshop on laundry (I tracked down the bibliography), I only recently found the final piece of the puzzle.

Alum feces and alum catini are often mentioned in the same context in similar or the same recipes. I assumed them to be of a similar background and when I found that alum feces was burnt tartar I made a leap and assumed alum catini to be the ashes of burnt cream of tartar. It made sense at the time! Unfortunately, after doing lots of digging into the chemistry of tartar and finding out that ashing tartar and cream of tartar ends up with the same chemical (but they might not have known that! my little devil went…) I finally found a reference in the wonderful book The Art of Dyeing in the History of Mankind which translates alum catini - and mentions quite a number of other alums which are also not, technically, alum - to soda, or soda ash. Which makes perfect sense, as alum feces actually is potash… With my background in soap making I could have anticipated this, but it never even occurred to me. What I did wonder about is why I did not find any mention to soda ash in any of my medieval soap recipes… Now, not only did I solve one small mystery of identification, I actually ended up solving a much larger one on technique.

For more background & chemistry on Tartrates, please check my IceDragon documentation at:
https://www.academia.edu/32370309/Alumen_faecis_An_unusual_Medieval_Ingredient._Includes_some_thoughts_on_the_production_of_Tartar_and_Cream_of_Tartar

The word alumen faecis occurs in many books of secrets written in the sixteenth century on chemical technology and is described as the burnt remains of tartar, indicating potassium carbonate. An exact translation of this word would mean the dregs or refuse of alum. In the French The secrets of the master Alexis of Piemont it appears as "alum de fece"; in the English Alexis as "alumen fecis," and, of course, in the German Alexis as "alun de feta." Cesalpino, the well known authority of the sixteenth century in his De Metallicis, Rome, 1596, says, “Alumen faecis, quae fex vini est combusta” or "Alumen faecis is the dregs of wine that is burned."  Gargiolli in L’Arte Della Seta in Florence, 1868, says of allume di feccia that “Cotesto allume non e altro che cenera cavata dale vinacce bruciate” – “This alum is nothing other that the ashes derived from burnt wine lees.” 

The word tartar comes to English via Medieval Latin from the Medieval Greek tartaron.  This crude form of tartar, also known as winestone, argol and beeswing, is collected and purified to produce the white, odorless acidic powder known as cream of tartar, or potassium bitartrate. As a food additive, tartar shares the E number E336 with cream of tartar, which does not help the confusion between dipotassium tartrate (tartar) and potassium bitartrate (cream of tartar).  Alum feces or potassium carbonate can be made by igniting and ashing tartrates (natural winestone or commercial cream of tartar) to produce pearl ash. This salt (alkali) of tartar was deemed stronger than almost any that is obtained from other matters.  Potash could also be purified by baking it in a kiln or oven until all the carbon impurities are burned off, which would also resulting in pearl ash (sometimes called fly ash, as it easily blows away). The same technique works to make alum catini by ashing calcined marine plants in a kiln - or you could buy a box of washing soda, which is also pure sodium carbonate. The production of potash and pearl ash from wood were of such importance to Britain that these commodities could not be exported by the American Colonies to ports outside of the British Realm.  High quality potassium carbonate was used in glass making, soap making, fiber cleaning & dyeing and as a medicinal ingredient. Tartrates were used in fiber cleaning & dyeing and as a medicinal ingredient.

The different chemicals made from natural winestone.

Wine stone is crude tartar.
Refined crude tartar becomes tartar or argol (dipotassium tartrate).
Refined tartar becomes cream of tartar (potassium bitartrate).
Burnt tartar & cream of tartar becomes alum feces (potassium carbonate)


In cleaning solutions and recipes, tartrates and carbonates have specific functions:

Tartrates are buffering agents.
Tartar (sometimes in the form of wine lees), was a common ingredient in both lye-based and non-lye-based cleaning solutions. Tartar’s acidic qualities somewhat neutralize the harshness of an alkaline solution , which greatly helps protein based fabrics like woolen cloth.

Tartrates are acidic, and act as sequestrants.
As well as providing buffering action, the acidity of tartar and cream of tartar makes these substances useful in removing inorganic stains. They have some ability to act as sequestrants,  by interrupting the oxidation of metals, making it possible to dissolve and removing metal and iron oxidation. It is taken from the Latin word “sequestrare” meaning to remove from use.  Cream of tartar is an effective and still in use household remedy against iron stains and fruit stains on linen.

Carbonates are alkalis.
In solution with water carbonates (CO3) react to produce hydroxides (OH); for instance potassium carbonate (K2CO3) plus water (H2O) produces potassium hydroxide (KOH), which is alkaline. Alkaline solutions are common cleaning agent of the fifteenth and sixteenth centuries. Alkalis are best at removing stains of a fatty nature and some proteins. When applied to grease and oil stains, the saponification that occurs is an additional aid to stain removal.  Alkaline solutions were also made from boiling potash (including hearth ashes), a common source of potassium carbonates, but depending on the quality of the source is often significantly less pure (due to incomplete burn) than burnt tartar, or alum feces.

A near period mention on the making of tartar and cream of tartar, from The charitable physitian with the Charitable apothecary, 1639:

CHAP. XL. To make Creame and Salt of Tartar.
TAke a pound of Tartar, beate it in a morter and searce it through a course sieve, then put it into a pipkin, and cover it with water, and make it boyle a walme or two, then passe it two or three times through a hippocras bagge with a bason underneath to receive the liquor, then set it to settle the space of twenty foure houres, at the end of which, you shall take of the Creame which swimmeth one the top, with a trencher or silver spoone, and poure the water softly away by inclination, and scrape the salt away which sticketh one the sides with a spoone, and make it fall to the bottome, then wash them, dry them, and prepare them, and keepe them by themselves.


This would indeed make both tartar and cream of tartar, although with only one cycle of heating it would not produce very much cream of tartar.


Photo Essays on how to make Tartar and Alum faces can be found here:
https://bookeofsecretes.blogspot.com/2017/06/photo-essay-to-make-alumen-faecis.html
https://bookeofsecretes.blogspot.com/2017/06/photo-journal-to-make-tartar.html


Bibliography: 
-- (1771) Encyclopedia Brittanica. Vol. II. Edinburgh: Colin Macfarquhar, Society of Gentlemen in Scotland.

Brunello, Franco. The Art of Dyeing in the History of Mankind. Neri Pozza, 1973.

Edelstein, Sidney M. (1964) The Allerley Matkel (1532) Technology and Culture, Vol. 5, No. 3 (Summer, 1964). The Johns Hopkins University Press. p.313

Ellis, Marietta (2015?) Colonial Soapmaking – Its History and Techniques. Spadét.

Guibert, Philbert. The Charitable Physitian, Shewing the manner to make and pre­pare in the house with ease and little paines all those remedies which are proper to all sorts of diseases, according to the advice of the best and ordi­nariest Physitians. Serving as well for the rich as the poor. Translated into English, by I. W. London: Printed by Thomas Harper, 1639. 
http://tei.it.ox.ac.uk/tcp/Texts-HTML/free/A02/A02327.html

Leed, Drea (2006) “Ye Shall Have It Clean”. Medieval Clothing and Textiles, Vol 2, the Boydell Press, NY. 

Lémery, Nicolas & Harris, Walter (1686) A course of chemistry. London: R.N. for Walter Kettilby, p.433

Ruscelli, Girolamo. A verye excellent and profitable booke conteining sixe hundred foure score and odde experienced medicines apperteyning unto phisick and surgerie, long tyme practysed of the expert and Reuerend Mayster Alexis, which he termeth the fourth and finall booke of his secretes ... Translated out of Italian into Englishe by Richard Androse. 1569 .

https://www.google.com/search?q=what+is+tartar&ie=utf-8&oe=utf-8 
https://en.wikipedia.org/wiki/Potassium_tartrate