Some short translations of Yeast Ring quotes.

My research into yeast storage devices located several Scandinavian brief mentions and short articles of general yeast devices and in specific, the yeast ring. I am particularly intrigued by the yeast ring, and as I found it to be period for the SCA time of study I am now learning to make one from scratch, from a Birch tree my son and I took down in the back swamp. In the next couple of weeks I will upload a translation or two, in English, of relevant quotes and articles published in Swedish, Danish and Norwegian. When all is set and done, and my yeast ring is finished and being inoculated by my next brew, the information will be collated and published in a single volume. For now, have fun and enjoy the arcane practice of dry yeast storage. Go forth - and multiply!


Dalby I gamla tider: Karl L:son Bergkvists uppteckningar.
Dalby in old times: Karl L:son Bergkvists records.
By Karl L:son Bergkvist, 1999.
Translated by Elska á Fjárfelli (Susan Verberg)

The yeast was mixed in a separate, warm or heated scoop of the first wort, which was then fermented [proofed] and poured into the wort in the fermenter. During the yeast's addition, the wort's temperature was tested with the finger to prevent the fermentation substances [yeast] to be destroyed by excessive heat. With a bucket scoop, it was poured into the liquid as then it would be well mixed. The fermenter was allowed to stand with its lid closed at normal room temperature for about one day. Too high a temperature made the drink sour.

The yeast floating on top of the fermenting wort was called seed yeast. In this, one used to lay an unmarked or grooved hardwood log, the yeast log. The yeast stored in the crannies could be used at the next brew by soaking it in warm wort.

Original text:
I en kvarsparad varm eller uppvärmd skvätt av den första vörten blandades jäst, som sedan den jäst upp tillsattes den vört som hällts i jäskaret. Vid jästens tillsättande prövades vörtens temperatur med fingret för att man inte skulle riskera att jäsämnena förstördes genom för hög värme. Med en skopa öste man om i drickat för att det skulle bli väl blandat. Jäskärlet fick stå med pålagt lock i vanlig rumstemperatur under ca ett dygn. För hög temperatur gjorde drickat surt. 

Den ovanpå den jäsande vörten flytande jästen benämndes frôjäst. I denna brukade läggas en obarkad eller räfflad lövträdskubb, jästkubb. Den i räfflorna magasinerade jästen kunde användas vid nästa brygd genom att blötas av i varm vört.


Övre Dalarnes bondekultur
Upper Dalarne’s peasant culture
By Lars Levander, 1947.
Translated by Elska á Fjárfelli (Susan Verberg) & THL Phelippe “Pippi” Ulfsdotter (Jill Buxrud). 

[447] For the cooking on the embers they used a special ember pan in Alvdalen, 4 inches in diameter and with a shaft attached to the pan by the edge hammered out and folded around the flat shaft. Its free end was hammered flat and folded into a square sleeve for lengthening with a detachable wooden shaft (pan stick). The ember cakes were turned over with a thin wooden spatula (ember pan spatula). The frying pan was placed either directly on the embers in the stove or on a ring (pan ring, see above). The panring was used especially when the fire had just been started and there were therefore no embers in the stove yet. It also appeared that the panring was used for [448] frying in the oven heat. The ember pan was always placed directly on the embers. When the frying pan was to be placed on a table or a sideboard, one would use the panring as a trivet, it was either braided bark from the juniper bush or composed of a large number of small pieces of wood. Instead of such a complicated panring a simple wooden cross could also be used.

Fig. 519. Panring (of assembled wooden pieces), Leksand. ULMA.

Original text:
För gräddning på glöden användes i Alvdalen en särskild
glödkakpanna, 4 tum i diameter och med ett skaft, som var fäst vid pannan genom att pannans kant smitts ut och vikts omkring det platta skaftet. Dettas fria ände var utsmidd och viken till en fyrkantig hylsa för förlangning med träskaft (pannpinne). Glödkakorna vändes vid gräddningen med en tunnsnickrad träspade (glödkakspade). Stekpannan ställdes antingen direkt på glöden i spisen eller också på en pannring (pannfot; se ovan). Pannringen användes särskilt, da elden nyss var uppgjord och det alltså ej fanns någon glöd i spisen. Det förekom även, att stekpannan användes för [448] stekning i bakugnsvärmen. Glödkakpannan ställdes alltid direkt på glöden. Då stekpannan någon gång skulle placeras på bord eller bordstol, använde man som underlag en pannring, som antingen var flätad av enbark a eller sammansatt av ett start antal små träbitar. I stället för en dylik pannring kunde också ett enkelt träkors användas.

Fig. 519. Pannring (av hopsatta träbitar), Leksand. ULMA.




Jästkrans
The Swedish Wikipedia.
Translated by Elska á Fjárfelli (Susan Verberg)

Yeast wreath was a wreath that was placed in the beer basket during beer brewing or in the dough tray when baking. After fermentation, the yeast wreath was picked up and allowed to dry and stored in a cold, dry place. Yeast culture thus became quartz sitting in the cavities of the yeast wreath and could be used at the next back or brewing.

In southern Sweden and Denmark, it was most often made of wood shavings joined by small sticks that were inserted into one another in an intricate pattern. The yeast wreath could also be made of braided straw. In Norway and old-fashioned areas in central Sweden, instead, a wooden cubicle was used in birch, a so-called yeast block or yeast log.

Original text:
Jästkrans var en krans som lades i ölkaret vid ölbryggning eller i degkaret vid bakning. Efter färdig jäsning togs jästkransen upp och fick torka och förvarades på ett kallt, torrt ställe. Jästkultur blev därmed kvarsittande i jästkransens håligheter och kunde brukas vid nästa bak eller bryggning.

I Sydsverige och Danmark tillverkades den oftast av träspånor sammanfogade av små pinnar som stuckits in i varandra i ett intrikat mönster. Jästkransen kunde även tillverkas av flätad halm. I Norge och ålderdomligare trakter i Mellansverige användes i stället en träkubbe i björk, en så kallad jästkubb eller jäststock.
 https://sv.wikipedia.org/wiki/J%C3%A4stkrans?oldid=34265377

Brewing Hacks for the Homestead

I've been brewing for a few years now, and along the way learned some neat tricks and tools I'd like to share with you. Some are more obvious, others maybe not, but hopefully they'll make your life easier brewing, just as they do mine.

 #1 The Dishwasher Rack.
The cleanest part in any kitchen, easy to sanitize and with a built-in drain, the bottom drawer of a dishwasher. I use mine right after a wash, to stack and dry bottles, one gallon carboys, funnels, filters, airlocks, buckets and even the occasional 5G carboy.

#2 The 5G carboy dryer.
A small stand to dry your carboy upside down while staying sanitized. One of those things that seems obvious once you know, but took me a few years to find out about!
https://www.northernbrewer.com/products/red-carboy-dryer

#3 A spray bottle.
I use Star-San for all my sanitizing needs, and always have a spray bottle of it available as well. It helps to sanitize small things, like airlocks and rubber stoppers (which then are dried on the dishwasher rack). I like it best to help sanitize hard to get to places without submerging in a large container, like my large funnel, and mos especially, my honey filter.

 
#4 The honey filter.
A new addition to my mead and wine making equipment is the honey filter. As I often ferment on fruit I get a LOT of pulp, and most filters, including brewing funnel filter inserts, cheesecloth and  milk filters, clog up way too fast. But not the honey filter! Having smaller holes than a standard metal kitchen sieve, the mesh is large enough to filter most of the fruit parts without clogging near immediately. The pulp gets separated when settled in the next racking.
https://www.betterbee.com/wax-processing/fc1-filter-cone.asp

#5 The sanitized airlock.
To keep the airlock sanitized in case of draw-back (where temperature change causes the bucket to contract and instead of pushing air out, sucks the airlock liquid back in) for the longest time I would fill it with grain alcohol. But at $20 a bottle that was starting to add up. Then someone told me the secret... to add Star-San instead. Not only is this sterile, this liquid will also show yeast activity as the air bubbles will create soap-like bubbles within the airlock. And there is always spare after sanitizing our equipment.

Keep Calm, and Brew on!

Undercover at the 2018 Reconstructive & Experimental Archaeology Conference REARC

By Elska á Fjárfelli and Chrestienne de Waterdene

 My first colonial ale called Dear Old Mum, a spiced wheat, at Chowning’s Tavern in Colonial Williamsburg. (Photo R. Mazza).

The 8^th annual Reconstructive and Experimental Archaeology Conference hosted by EXARC drew speakers and participants from many parts of the world. The REARC conference was once again hosted by Colonial Williamsburg in Virginia, from October 18^th to the 20^th. Mistress Chrestienne deWaterdene and I drove down together to check out the event. Friday was reserved for the presentation of papers, by students and researchers alike, demonstrating the wealth of information and practical skills available within the EXARC community. Saturday was filled with numerous demonstrations in which the conference attendees could participate and museum visitors could watch and learn.

My first academic paper, that started life as an uncooperative IceDragon brewing entry. (Photo S. Stull, occasional SCAdian and a conference presenter)

The presentations ranged from practical recreations like bird bone flute making and weaving with captive reed beads to duplicate pottery impressions, to the use of recreated objects such as determining if Ötzi’s tools were for hunting or for warfare, and the function of experimental archaeology within different types of classrooms. Some researchers presented a follow up on previous papers, like Neil Peterson with his ongoing Viking bead furnace project. Some might look for resources not yet found – the joy of Caitlin Gaffney after finding a possible source for a reproduction medieval knife to carve her bone flutes was absolutely contagious. And some were looking to network: David Spence asked for additional projects for his Experimental Archaeology in High School and left with numerous contacts and suggestions. Each and every paper had some unique view, some unusual bit of information – as the practical aspects of experimental archaeology requires a more interdisciplinary approach than traditional academics, conferences like REARC are essential. You just never know from what discipline, from which subject, the answer to the question you did not even realize you had could come from. I personally was amazed to find that the gist of my paper, to not take words at their literal modern definition, was independently repeated in another paper – to have my initial interpretation validated via an independent source right then and there.

The work stations, surrounded by assorted Colonial-era garments being altered or repaired.

During the lunch break Chrestienne and I quietly excused ourselves and took a quick look at the Annual Open House at the nearby Colonial Williamsburg Costume Design Center. Here, the staff fits, designs, creates and dresses Colonial Williamsburg's costumed interpreters. The clothes range from silk gowns and caps for the ladies, to cotton and linen wear for the middling sort, to handmade leather gloves and embroidered coats for the male gentry. Ordinarily, the Costume Design Center is only open by appointment, except one day a year, when it opens the doors for all to show and tell. And we made sure to be there! It was a cornucopia of fabrics and embellishments, and the workstations were to die for…

Talon Silverhorn showing his beaded belt made using Fingerweaving. He also told about how his Tribe uses this technique to record and tell stories, right up to our modern days.

I also learned that the colonial interpreters do not make nor own their costumes, it is this department that researches, designs, fits and creates for everyone on the payroll. Except for the Native Americans, it seems. We did not see any Native American wardrobes out in storage or on display, and from talking with Native interpreter Talon Silverhorn we learned that most make their own as part of their tribal community and heritage.

Bill Schindler, experimental archaeologist and co-host of the National Geographic show The Great Human Race. I enjoyed our conversation over a craft beer at the hotel, and even taught him a thing or two about historic mead brewing.

The keynote speaker for this year was Bill Schindler, an experimental archaeologist with Washington College and part of the Eastern Shore Food Labs. His quite engaging presentation on Fusion: ancestral diets, modern culinary techniques, and experimental archaeology was well received, and left the audience with a number of questions to think on. This paper was perfect for our younger generation as they are now growing up in an environment which might be more hostile to them than they would surmise, and where this area of research, experimental archaeology, could help shed light on where to go from here. The connection between human biology and our diet, and the impact industrialization has had on our health to the point where humans, and our pets, can be both obese and malnourished, is not only fascinating from an academic point of view, but relevant to the survival of our species.

This years’ demonstrations were two part: the practice of throwing atlatl and observing and shooting early bows, combined with the technique of smelting and casting bronze and making Viking era glass beads. Unfortunately, while the weather was absolutely gorgeous on Friday, by the time Saturday came around it had changed to intermittent drizzle and rain. But that did not stop us from having a go at each of the stations, and appreciate the added value of tent coverings at the metallurgy and flamework areas. While I would have loved to try Ötzi’s replica bow as initially intended, Manuel Lizarralde did not feel comfortable to have it out in soaking rain as it was not yet waterproof. I did get to shoot a fire hardened black locust Native American self bow, weatherproofed with bear grease, and even hit the target center. Conference host Tim Messner enjoyed the primitive tattoo kit and extant stone tools that Talon Silverhorn, Native American interpreter, brought to share – and almost talked him into a tattoo demo on the spot.

Fergus Milton, with help from David Spence, melting bronze to do a lost-wax mold casting later in the afternoon.

At the station near the Blacksmith area we enjoyed Fergus Milton’s bronze casting demonstrations - with help on the bellows by David Spence - using a small furnace constructed on site from local clay, and aerated with a primitive leather-bag bellows. He began the day by smelting the bronze and preparing two molds, and poured the molds mid-afternoon. Several museum guests returned specifically to witness the casting, after stopping by periodically to keep an eye on the proceedings.

Chrestienne making her first Viking glass bead over a charcoal bead furnace under the expert supervision of Neil Peterson (a SCAdian of old). She’s wearing the loaner sweater Neil provided (available to those wearing flammable man-made fiber fabrics). Wool is a safer fabric to protect against sparks and burning embers.

At the same time Neil Peterson had his coal-fed bead furnace up and running for conference attendees to try their hand at making a Viking glass bead. His station was in continuous use throughout the day and many of the attendees left with a precious homemade bead in their pocket. Surprisingly, participants often had more trouble with the coordination required to operate the bellows effectively, me included, than they had creating a simple bead.

  

Left: Pouring molten tin into a cuttlefish mold encased in fresh clay as support. Bottom: The mold is only able to be used once, becoming burned during use. Although tin is used to demonstrate, it is a softer metal than the master used for the impression.

Finally, before packing up, Fergus Milton did a quick demonstration of cuttlefish casting for David Spence to consider showing to his highschool students. He used some tin he had on hand, and as it had a lower melting temperature than the bronze, it quickly became molten and he was able to show how the porous nature of the cuttlefish bone lends itself well to making a quick mold. It takes in a good amount of detail from the master used to press into the material, and feels a bit like a dense, fine Styrofoam when pushing a metal object in to make an impression.

To cap off this wonderful experience, the resident founders at Williamsburg had invited Fergus Milton (burgundy shirt) for a special bronze casting demonstration at their shop on Sunday morning. To experience the prehistoric process, so closely followed by the much more refined methods of the 18th century Geddy Foundry, was an appropriate ending to an otherwise perfect immersive weekend of reconstructive and experimental archaeology. We are ready to come back for more next year!

Insistent cow, with bull calf, determined to charm snacks from us! (Photo: R. Mazza)

All photos credited to S. Verberg, unless otherwise stated.

For details on the presented papers: https://exarc.net/rearc/archive/2018

https://exarc.net/issue-2018-04/mm/conference-review-rearc-2018

THE BEAD STRINGS OF THE 'PRINCESS OF ZWEELOO'

ANNEX 1: THE BEAD STRINGS OF THE 'PRINCESS OF ZWEELOO'
W.A. van Bommel-van der Sluijs

Translated by Susan Verberg, 2019

For the PDF "Reconstructing the Wardrobe of the Princess of Zweeloo", click here:
https://www.academia.edu/38845292/Reconstructing_the_Wardrobe_of_the_Princess_of_Zweeloo

1. INTRODUCTION

The most famous beads in the Netherlands are certainly the beads of the so-called 'Princess' of Zweeloo that are located in the Drents Museum in Assen. The ensemble of beads and other precious ornaments with which the princess is buried, is very exceptional and even unique in Northwest Europe. It is this reason to devote a separate chapter to the princess's grave, based on data from the publication of Van Es & Ypey in 1977. Van Giffen uncovered the grave of the 'princess' in 1952 when he was in Zweeloo in the southeast of Drenthe and researched an early-medieval graveyard field. This cemetery was discovered because old objects had emerged when excavating an esdek [certain type of topsoil]; unfortunately this sand extraction probably disturbed a considerable part of it. The cemetery would have been built at the end of the Imperial period or during the early Migration Era and consisted mainly of inhumation graves. Of the more than one hundred graves, 75% were west-east, the other north-south oriented. Ten to fifteen graves were cremation graves. Two adjacent graves were each surrounded by a ring ditch and apparently formed a landmark for other graves. Nearby, but also elsewhere on the burial ground, pile tracks were found which were grouped in a quadrangle or a rectangle.2 In the secluded group of burial cemeteries (no. 83-88) of which the princess (no. 87) was part, were found in addition six north-south-oriented horse graves (Nos. P1-P6). Because of this and other findings such as a conical beaker (as in Haillot) in the children's grave 88, two bronze Stützarmfibulae (type Perlberg) (and a fused part of a Zwiebelknopffibula of an older disrupted cremation grave) in female grave 86, they came to the conclusion that this grave was in a royal tradition as it was known from Thuringia, Northern Germany and Northern Netherlands. The grave of the princess was dated 400-450 or 400-475, thus forming the earliest phase of the burial ground, leaving aside a few cremation graves. After discovering the beautiful fibula (gleicharmige Kerbschnittfibel, type Nesse) and the large variegated beads the name 'Princess of Zweeloo' was born; the head-and-rump part of the grave was crated up and in 1971 examined by Ypey at the ROB in Amersfoort. (Van Es & Ypey, 1977: 97, 101 and 110, Abb.3 and 5).

            According to the researchers, the 'princess' measured 1.65-1.70 meters. Her jewelry consisted of a large gilded butterfly fibula on the chest, two gilt-silver platter fibulae at the shoulders, a necklace of amber beads and two necklaces of glass beads (the largest of which had bronze rings), two bronze keys, a gilt-silver toilet set, a bone object, a ring of silver thread, a beaver tooth and a bronze bracelet (figs 21-25). However, the question is whether the latter is really a bracelet. Siegmann (2002: 43) discovered that large bronze rings in Liebenau are not necessarily bracelets, but could be the closure of pouches or bags, especially if they do not meet the standard sizes of bracelets. That of the 'Princess' of Zweeloo is indeed very rude, compared to the other jewelry. There were remnants of woolen broken diamond twill (Van Es & Ypey, 1977: 121). The 'bracelet' was found on the left hip as well. A beautifully hand-turned pot [typo?] stood by her head. During the excavation linen remains also appeared which, according to the researchers, had to come from her peplos because of the two clothing pins at the shoulders. Leather remnants under the bronze bracelet on her left side, pointed to a belt bag. The researchers depicted a reconstruction drawing of the princess made by Ypey in the publication (Van Es & Ypey, 1977: Abb.13, here in Fig. 26a).

            During the reorganization of the Drents Museum in Assen in the 1980s, a reconstruction was made of the clothes in particular. This was possible because fabric remains were preserved on the fibulae, the bronze rings and the bronze bracelet (Vons-Comis, 1988). On this basis, a life-size figure was erected at in the museum, covered with a linen peplos woven in broken diamond twill, decorated by the original string of beads and bracelet and (replica) clothing pins (fig. 26b). The large butterfly fibula on the chest probably closed a woolen cloak or shawl (fig. 26c), but the fabric was not fabricated again.

Research on the bead chains from 1987 brought the following data (Vons-Comis, 1988: 53): [p.920]

'Together with the unknown weight of the modern twisted metal wire, the amber beads weigh 139 grams, the length of the chain is 90 cm. The glass beads of chain Cb were in very poor condition during the excavation. Originally, at least 130 beads were present, of which 110 could be recovered. In 1987 only 107 beads were intact. The length of this incomplete chain is 60 cm. The necklace now weighs approx. 35 grams including the thread. Originally, the chain will have been about 66 cm long and about 41 grams heavy. The string of beads D, found at the level of the waist, consists of 30 large glass beads, 1 amber bead, 1 bronze disk and 10 bronze rings. The length of this cord is 55 cm. The weight of the beads, including nylon threaded yarn, is 542 grams. Here comes the weight of the bronze disc and rings treated with PVC: 92 grams. The original weight of the entire cord must be between 542 and 634 grams.'

Fig. 26a. Reconstruction of the garment, wearing of the disk fibulae, de bead strings, bevertooth-amulet en keys according to Ypey (Van Es & Ypey, 1977: Abb. 13).

Fig. 26b. Idem, according to Vons-Comis (1988: fig. 14, copied from the watercolor of O. Goubitz for the cover of the Nieuwe Drentse Volksalmanak 1988).

Fig. 26c. Reconstruction of the woolen mantle or shawl, kept together with the large, gilded silver butterfly fibula (Vons-Comis, 1988: fig. 15).

 

 2. THE NECKLACES OF THE 'PRINCESS'

Below, the beads will be discussed piece by piece (see Van Es & Ypey, 1977: 113-120). Prior [p.921] the description is given a type number or variant thereof from the monograph of Tempelmann-Mączyńska (1985) or from the work of Koch (1987) on 5th-century beads from Baden-Württemberg. Then a short description follows: shape, brightness (translucent - ds - or opaque), color and dimensions (dm is the largest diameter, h is the height as in the length of the bore/bead hole and g is the diameter of the bead hole). The number of beads found is between square brackets: []. If they occur in the Corpus der römischen Funde (Voss, 1998, Erdrich, 2002; 2004) or elsewhere, the place and number are mentioned. The beads are arranged by ascending model number of Tempelmann-Mączyńska, so that the collection can be compared with catalogs or find descriptions in other literature. For the sake of clarity each bead of the necklace is marked in bold with the same letter as on the drawings by Van Es & Ypey (1977).  

Fig. 23. Zweelo 1952: the string of amber beads Ca from the grave of the ‘Princess’ (foto Drents Museum Assen). Schaal 1:2.

 Ca is a necklace of 101 amber beads; these are round, ring or disc shaped. Towards the middle the size of the beads increases, diameter 9 to a maximum of 21.5 mm (fig. 23). Böhme calculated the Zweeloo amber chain to be the richest neck and chest jewelry of the area between Elbe and Loire. On Ypey's reconstruction, the chain, hung around the neck, reaches to the belly. That would mean that the cord is at least 140 cm long, although it actually measures 90 cm. Now the chain hangs on the fibulae on the shoulders, because no amber beads have been found above the fibulae and the chain is too heavy for pinning directly onto the fabric (Vons-Comis, 1988: 53) .3

            Cb is a necklace consisting of at least 130 glass beads, partly lying below and next to the chain Ca, of which 110 could be stored (fig. 24). If the description of a bead in the text of Voss or Erdrich showed agreement with the bead in question, then that type of Tempelmann-Mączyńska (further abbreviated as TM) or Koch was also mentioned. In the description below of the first bead, for example, Erdrich (2002): Koch type 460 and Koch 489. 'Reifen-bullet' [elongated hoop] means that a bead is of Reifen-shape [hoop] to spherical.

  

Fig. 24. Zweelo 1952: the types of glass beads found in bead string Cb from the grave of the ‘Princess.’ For further descriptions and amounts: see text (After: Van Es & Ypey, 1977: Abb. 8, colored in by author). Schaal 1:1.

TM 2bVar / 30bVar or Koch 482, 483, 486: Reifen-bullet, ds light greenish-blue (f); dm 10, h 8.5, g 3 [2]:
- Voss (1998) 63: Hagenow, 85: Grabow-Ludwigslust [2], - Kremmin-Ludwigslust [2]), 87: Milow-Ludwigslust, 91: Marnitz-Parchim, 94: Rosenberg-Schwerin, 95: (TM 7 hellblau) ) Dämelow-Sternberg;

- Erdich (2002) 109: Gudendorf-Cuxhaven,

148: (Koch 460) l. blue, 0.8 cm, (Koch 489) l. green, 1.1 cm [2] Tötensen-Harburg,
155: Darzau-Lüchow-Danneberg;
- Erdrich (2004) 56: (TM 47) Kasseedorf-Ostholstein [6];
- Koch (1987) Urach: [6];
- TM 2b: (Berge-Fritzlar-H), Hiddenhausen-Herford [8], - Magdeburg [4], Westerregeln [2], etc .; TM 30b: Ballenstedt [8], Mesendorf-Eggersdorf, Cecele [7], Cieple, Frombork [3], Korzen, Luboszyce, Niedanowo [5], Polchleb.

TM 18Var or Riha 1201, 1218-1219: Reifen-bullet, ds dark blue, (c); dm 3-4, h 2-3, g 0.5 [20, now 16]:
- Voss (1998): 27: Wotenitz-Grevesmühlen [2], 54: Gammelin-- Hagenow [> 103], 71: Perdöhl-Hagenow, 76: Pritzier-Hagenow [12],
89: Leist-Lübz [5], 92: Spornitz-Parchim;
- Erdrich (2002) 61: Huntebrück-Wührden,
105: Altenwalde-Cuxhaven, 131: Nordleda-Cuxhaven,

134: Schiffdorf-Wehden-Cuxhaven [3], 136: Westerwanna-Cuxhaven [19];
- Erdrich (2004) 81: (TM 46Var) Sörup-Schleswig-Flensburg - [32];
- TM: Kemnitz [3?], Kollenbey [~ 3], Debczyno, Drohiczyn - [14], Elblag [20], Kietrz [3], Komorow, Lubowidz, Niedanowo [10], Nur, Opatow [2], Osinki [ 11], Pajewo [55], Pruszcz, Zerniki [76];
- Riha (1990): Augst [3]

TM 25Var: Reifen, opaque yellow, (b) dm 3,5, h 2, g 0,5 [12, now 0]:
- Voss (1998) 27: Wotenitz-Grevesmühlen,
76: Pritzier-Hagenow [10];
- Erdrich (2002) 105: Altenwalde-Cuxhaven, 109: Gudendorf - Cuxhaven, 136: Westerwanna-Cuxhaven [6], 147: Tötensen-Harburg [2],
170: Issendorf-Stade [15];
- Erdrich (2004) 53: Bosau-Ostholstein [39],
106: (TM53) Peissen-Steinburg;
- TM: Gütz [2], Niemberg [86], Gostkowo [> 5?];
- Riha (1990): Augst [2]

TM 50Var and Riha 1202-1205Var: ~ Ball, ds colorless, (a) dm 3, h 2, g 0.5 [1]:
- Voss (1998) 54: Gammelin-Hagenow [2],
72: Perdöhl-Hagenow;
- TM: Zauschwitz [5], Abraham [2], Grubno [?]
- Riha (1990): Augst [6].

TM 95a (= violet segment bead) Var or Riha 2888, 12Var (= ds blue ribbed with collars, dm approx 7): Bullet, with collars and lengths as Überfangperle, ds brown-manganese (e); dm 6, h 6, g 2 [14]:

[p.922] - Erdich (2004) 62: Preetz-Plön (TM 1) Reifen, ds violet, dm 8, (TM 31) ds violet, dm 7 [2];
- TM: Gerlachsheim, Brulino-Koski, Debczyno, Kleszewo;

- Rhia (1990): August

TM 108Var or Koch 498 or Riha 1311: Balk, weak translucent dark blue, irregular, with rounded edges (k); dm 3.5 × 3.5 to 5 × 5, h 6-10, g 1 [36]:
- Voss (1998) 86: Kremmin-Ludwigslust [2];
- Erdrich (2002) 139: Westerwanna-Cuxhaven [2], 142: - Westerhamm-Cuxhaven, 171: Issendorf-Stade [4];
- Koch (1987): Urach;
- TM: Buczek [?], Grubno [?], Krosno [> 4], Lipniki [> 1], - Niedanowo, Nur-Kolonia;
- Riha (1990): Augst [20]

TM 137Var: Cylinder, opaque dark green, irregular (i); dm 4, h 10, g 0.5 [2]:
- Erdrich (2002) 109: Gudendorf-Cuxhaven [2];
- TM: Grossromstedt, Körner, Mesendorf, Rauschendorf, - Cecele [2], Debczyno, Komorow, Opatow, Polchleb [3], Warsawa [2], Cerniki [6], Bendiglauken;
- Riha (1990): Augst [3]; -
- Nijmegen: WW1 (find numbers 2-230 and 2-374) [2];
- Aalden, grave 3 [2]; -
- Van Es (1967): Wijster, grave 211 [4]

TM 145: Cylinder, ds dark blue, irregular (j); dm 2-4, h 8-10, g 0.5 [9]:
- Erdrich (2002) 105: (Altenwalde-Cuxhaven [54]), 171: - (Issendorf-Stade [3]);
- TM: Cieple [?], Kloczew, Zadowice [?] -
- Geldermalsen (Meteren-Hondsgemet) (found No. 52-25);
- Van Es (1967): Wijster, grave 211 [5]

TM 146 or Koch 499 (which is squeezed?): Cylinder, ds dark green, irregular (h); dm 2-4, h 4-13, g 0.5 [4]:
- Voss (1998) 79: Scharbow-Hagenow [2];
- Erdrich (2002) 112: Sahlenburg-Cuxhaven [7], 139: - Westerwanna-Cuxhaven [2];
- Erdrich (2004) 56: Kasseedorf-Ostholstein;
- Koch (1987): Urach; -
- TM: Gerlachsheim [2], Igolomia, Paruszowice [?] -
- Nijmegen: WW1 (finds 5 5-85);
- Tiel-Passewaay (210-239); -
- Van Es (1967): Wijster, grave 211.

TM 153Var or Riha 1252: Helical cylinder, black, glossy (g); dm 3-4, h 12, g 1 [1]:
- Erdrich (2002) 109: Gudendorf-Cuxhaven;
- TM: Wildschütz [13], Debczyno [6], Szwajcaria [2], - Warsawa;
- Riha (1990): August;

- Van Es (1967): Wijster, graf 211 [8, was 5];
- Siegmann (2002-2005): Liebenau, graves P10 / A1, N12 / A2 and - O12 / A3 [20];
- Nijmegen, burial ground Margriet: OO 9 [8].

TM 255dVar or better: Koch 573 (= T6, 34) Var: Reifen, ds light olive green with opaque yellow, intersecting wave lines (l); dm 9, h 5, g 1.5; idem, with opaque yellow spiral (s); dm 8, h 5, g 2 [2]:
- Voss (1998) 77: as l: Pritzier-Hagenow [4], as n: 86: Kremmin-Ludwigslust;
- Erdrich (2002) 172: Issendorf-Stade, 'New type': with white and yellow wire binding [3];
- Koch (1987): Urach;
- TM: Gelbe Bürg, Gozlowko

TM 337, 338, 339: Reifen, ds light greenish blue with opaque white, intersecting wave lines and opaque red dots (q); dm 13, h 7, g, 2 [3]; Reifen, ds light olive green with opaque white, intersecting wave lines with 4 opaque red dots (m) between them; dm 10, h 8, g 2 [2]:
- Erdrich (2002) 172: Issendorf-Stade [9], (Koch 533Var): - reifenförmig ds. Yellowish l. green with opaque white waveband, dm 1.3 cm [2]. New type: with three imposed opaque white tufts and round red opaque wire lay-up, dm 1,1 cm. (= inverted colors);
- Aalden, grave 36: similar beads but with red-brown warts instead of dots.

TM 379b and Koch 510Var: Five lobes, ds olive green, cloudy (t); dm 17, h 6, g 2,5:
- Koch (1987): Urach (dm 24 mm);
- TM: Hassleben.

TM 387b: Überfangperle, ball, with collar and ribbed, without gold, ds light brownish yellow (d); dm 5, h 5, g 2 [16, now 13]:
- Voss (1998): 27: Wotenitz-Grevesmühlen [2],
46: Badow-Gadebusch, 54: Gammelin-Hagenow [4], 77: Pritzier-Hagenow [4];
- Erdrich (2002) 145: Rahmstorf-Harburg [7],
155: Darzau-Lüchow-Danneberg [7], 172: Issendorf-Stade [14];
- Erdrich (2004) 37: Fuhlsbüttel-Hamburg [4], 49: - Rondeshagen-Hzt. Lauenburg [2], 57: Kasseedorf-Ostholstein [2], 63: Preetz-Plön [22], 112: Pölitz-Stormarn;
- TM: Braglow-Dworny [> 1] etc .;
- Riha (1990): Augst: ws. 2790 [6], 2832 [5], 2844 [2], 2890 - [12] (Riha does not recognize Überfangperlen as a type) [25];
- Van Es (1967): Wijster, Graven: 2, 5, 16, 125, 134, 166, 210, - 211 [33];
- Nijmegen: Canabae (found No. 28-3441, dm 3-4 mm) [3];
- Nijmegen: digging inner city (find numbers B465 and B203) and - cemetery Margriet (OO separate find) [50].

[p.923] Koch 509Var: Vierlob-disc, ds, very light-green-blue (r); dm 16, h 5, g 2 [1]:
- Erdrich (2002) 182: (TM 173Var) Stöckheim-Braunschweig;
- Koch (1987): Urach [unknown, ws 1].

Reifen, ds olive green with wide opaque brown-red spiral (o); dm 12, h 6, g 2 [1]:
- Erdrich (2004) 113: (TM 243Var) Travenbrück-Storman.

Reifen, ds light bluish-green with wide opaque red spiral (p); 13, h 7.5, g 2 [1]:
'New type', (mouthful of Erdrich April 2007): "also a lot of research found in Northern Germany, seems to be reusable bottle glass";
- Voss (1998): 10 places in Mecklenburg-Vorpommern [10];
- Erdrich (2002): 7 places in Lower Saxony, often melted - and unrecognizable beads [7];
- Erdrich (2004) 107: (TM 339b) Barsbüttel-Stormarn;
- Aalden, grave 36: [3].

Four-lobed disk, ds light gray-green with opaque red spiral (s); dm 18, h 6, g 2,5:
- Voss (1998) 38: (TM 379bVar): - opaque green fivelob with red bands, dm 18, h 5: Langendorf-Stralsund;
- Erdrich (2004) 67: ds l. green quatrefoil with red and yellow paint tracks, Bordesholm-Rendsburg-Eckernförde.

Of the 18 different bead types in the necklace there are some 'universal', for example the small blue spherical, the medium sized Überfang beads, the long black screw beads, the green and blue cylinders and beams. We find these in the publications of Guido (1978), Riha (1990), Tempelmann-Mączyńska (1985), Koch (1987) and Siegmann (2002-2005). The 4- and 5-shapes also occur at Tempelmann-Mączyńska and at Koch. Some types are only found with TM and - possibly as variants of her beads - with Erdrich (2002, 2004) and Voss (1998) in Northern Germany. Finally, there are even those that do not occur at Tempelmann-Mączyńska, but do as 'new types' at Erdrich and Voss. The Zweeloo necklace beads: a, b, c, d, f, h, k, (l, n), p, s occur at Voss (1998), b, c, d, f, g, h, i, j , k, (1, n), (q, m), p, r at Erdrich (2002) and b, c, d, e, f, h, o, p, and s. Erdrich (2004). Not found was type t.

            In Mecklenburg-Vorpommern (Voss, 1998), 36 of the aforementioned 10 neck beads types were found 36 times, 178 in total. In Bremen-Niedersachsen (Erdrich, 2002), 36 of the aforementioned 13 bead types were found 36 times, totaling 172 pieces. In Schleswig-Holstein (Erdrich, 2004), 14 times one of 9 bead types was found, a total of 115 units.

            For the larger variegated beads from the middle of the chain, however, no parallels can be found. Possibly this concerns 'homemade' variants. Erdrich noticed, when seeing similar fantasy beads from grave 36 (Aalden), that he had found such beads a lot with research in Northern Germany and that the matrix of them appeared to be made of recycled bottle glass (verbal communication). If indeed it turns out that a village makes its own beads of reused glass and then a villager decorates such beads with glass (or paint) once more, then this is an explanation for the lack of parallels of these remarkable beads at Tempelmann-Mączyńska (1985). In addition, Tempelmann-Mączyńska (1985: 57) writes about her types 337, 338 and 339: 'sehr differenziert, besonders wenn es sich um acting Verzierung (...) sehr effektvolle Dekoration auf dem grünen bzw roten Grund (...) various bunte Streifen und grosse Augen miteinander verbunden (...) selten (...) man findet nicht zwei gleiche '. In my view, this also applies to types 340-342. Tempelmann-Mączyńska, however, dates the types 337-342 much earlier, namely in the periods C1b-C2 (250-400). Perhaps at Koch (1987) in Urach also such examples are represented, such as her types 573 and 528. This would also explain not being able to find parallels for the 4- and 5-step beads provided with wide, sloppy bands.

3. THE BELT CHAIN OF THE 'PRINCESS'

D is a chain at waist height, consisting of 30 large glass beads, an amber bead (fig. 25), ten bronze rings and a bronze disc (fig. 22). A bronze ring was caked to bead 13, where a fabric fragment was also found. They were still in a row, only the first bead D0 was slightly aside under the equal-armed fibula. The bold numbers correspond to the numbers on the images 9 and 10 of Van Es & Ypey (1977). As with the necklace, other type numbers from Tempelmann-Mączyńska and Koch are presented as the description of a bead by Voss or Erdrich indicates similarities with the Zweeloo bead.

 

Fig. 25. Zweelo 1952: the glass beads and amber bead 17 of belt chain D, from the grave of the ‘Princess.’ A small bronze ring is stuck to bead 13. For the other bronze rings and bronze disk of the belt chain, see text (After: Van Es & Ypey, 1977: Abb. 9 and 10), colored in by author). Scale 1:1.

 

 

TM 42Var / 4aVar: Bol / Reifen, weak ds emerald green, 2; dm 21, h 14, g 4:
- Voss (1998) 45: Stadtkreis Stralsund, 49: Mühlen Eichsen-- Güstrow, 76: Pritzier-Hagenow, 80: Warlitz-Hagenow;

- Erdich (2004) 62: Preetz-Plön, 73: ™ Schmalstede-Rendsburg-Eckernförde [13],
107: Barsbüttel-Stormarn, 113: Travenbrück-Stormarn [3];
- TM 42a: Gerlachsheim, Westick, Klein Zerbst, Borek [> 1], - Cecele [> 7], Debczyno, Malbork-Wielbark, Zerniki-Wielki [2];
- Riha (1990) Augst, cat.no. 1192 (dm 15 mm).

TM 66Var / TM29Var / 34Var: Reifen, opaque white (2 with opaque reddish brown core?), Looks like marble, irregular and pitted, 6, 10, 19; 28; dm 26-27.5, h 15-20, g 8, [4]:
TM 66 looks like an image, but is 'wasserhell'. By the way, TM is far too small in opaque white glass or in limestone (TM 494). Perhaps imitation of the marble beads that occur at Koch (1977) in grave 22, chain 7: dm 23, h 15;
- Voss (1998) 49: Oldebuck-Güstrow, 52: Besitz-Hagenow, - 120: TM 494 (limestone) Rachow-Teterow;
- Erdrich (2004): 62 (TM 6) Preetz-Plön;
- Maybe in - Mädchengrab Bosau-Ostholstein with dm of approx. 20 mm? [28].

TM 187bVar and Riha 1340: Spiral disk, type 'Kempten', ds light bluish green, 26; dm 27, h 10, g 7.5:
- Voss (1998) 21: (TM 186 in green) Bad Doberan-Rostock, 76: - Pritzier-Hagenow, 77: Pritzier-Hagenow [2];
- Erdrich (2004) 73: Schmalstede-Rendsburg-Eckernförde [2];
- TM: Lipniki, Niedanowo [> 1];
- Riha (1990): Augst: [1].

TM 198eVar and Koch 526: Reifen, irregular, "black" (= very dark, weak ds olive green) with irregularly spread opaque red and white dots of different sizes, weathered, 31; dm 23, h 16, g 4:
- Voss (1998) 22: Hanstorf-Doberan;
- Erdrich (2002) 144: Rahmstorf-Harburg,
171: Issendorf-Stade (white, red and blue
dots) [2];
- Erdrich (2004) 62: Preetz-Plön [5],
66: Bordesholm-Rendsburg-Eckernförde;
- Koch (1987): Urach (including such beads with differently colored dots) [6];
- TM: Zwethau [3], Besenov [?], Bialecino [?], Buczek [> 1], - Cecele, Lisewo, Witkowo [?];
- Nijmegen: inner city, grave B670, dm 20, h 15 [1].

TM 257Var .: Reifen roller, opaque red with irregular, opaque stripes and round green line, square bead hole, 4; dm 23, h 16, g 5. idem with opaque turquoise wave line, 22; dm 25, h 18, g 4 [2]:
- Erdrich (2002) 172: (TM 357Var): - reifenförmig, red opaque, with light turquoise green wave line, irregularly laid yellow opaque wire ("strichförmig") Issendorf Stade;
- Erdrich (2004) 110: (TM 377b) "large red opaque bead with - yellow wire laying" Hammoor-Stormarn.

TM 263aVar or better Koch 534, 535 and 533: Reifen, "black" with an opaque white zigzag line of varying width, 3; dm 23, h 12, g 6;
- Voss (1998) 72: Perdöhl-Hagenow, 77: Pritzier-Hagenow [2], - 95: Dämelow-Sternberg,
101: Nutteln-Schwerin;
- Erdrich (2002) 54: Mahlstedt-Oldenburg,
136: Westerwanna-Cuxhaven;
- Koch (1987): Urach [9];
- TM: Letnin, Warchlinko, Zerniki-Wielki [2];
- Riha (1990): Augst (cat.no. 2793) [3].

TM 276a / bVar or Koch 21,29: Bol-Reifen, "black" with violet-shaped strings, 2 opaque white, intersecting wavebands and five opleturquoise dots, 25; dm 31, h 18, g 10:
- Erdrich (2004) 54: (276Var?) Burg auf Fehmarn-Ostholstein; - 69: (276Var?) Borgstedtfelde-Rendsburg-Eckernförde;
- Koch (1987): Urach (in reverse colors);
- TM: Spornitz, Ahlum.

TM 276cVar and Koch in Perlen, Table 8: 21, 27: Bol-Reifen, "black" intersecting, opaque white wavy lines and 5 opaque red dots, 1, dm 21, h 12, g 5; idem: with 6 red dots, 13, dm 35, h 18, g 12; idem: with 8 opaque red with violet-dot-eyes, 18, dm 31, h 15, g 6, [3]:
- Voss (1998) 38: Martensdorf-Stralsund;
- Erdrich (2004) 66: Bordesholm-Rendsburg-Eckernförde;
- TM: Gelbe Bürg, Brush [2].

TM 276eVar: Bol-Reifen, "black" (with red strings) and opaque yellow, intersecting wave bands and five opaque turquoise dots, 15; dm 32, h 20, g 8:
- Voss (1998) 30: Langendamm-Rügen, 87: in reverse colors, Leussow-Ludwigslust 109: TM 266 (a) / 276, with crossing yellow (and white) (zigzag) wires Dishley-Kr. Neubrandenburg [2], 109: with yellow, intersecting lines, (refers to Alekseeva: 1975/1978/1982, Taf 32, 42, 32, 44 and 32, 41), Friedland-Neubrandenburg [3];
- Erdrich (2002) 171: TM 276fVar in reverse colors, - Issendorf-Stade, 189: 1.8 cm and Callmer B 0850 Var. with gray-green eyes, dm 2.3 cm. Gielde-Wolfenbüttel [2];
- TM: Gelbe Bürg, Borstel.

TM 293bVar: Bol-Reifen, "black" with 2 opaque white zigzag lines and opaque white by-line, 5; dm 26, h 16, g 8; the same with two opaque white zigzag lines and in between, opaque turquoise band, 7, 9, 23, 29; dm 27-29, h 19, g 5-8 [4]; same with 2 opaque white zigzag lines and in between opaque turquoise zigzag line, 11, 27; dm 28-33, h 18-21, g 8 [2]:
- Erdrich (2002) 136: Westerwanna-Cuxhaven [4];
- Erdrich (2004) 66: (TM 300bVar) Bordesholm- Rendsburg - Eckenförde;
- Koch (1987): Urach (2 gray-blue zigzags with in between - white line, dm ca. 22 mm);

- TM: Debczyno;
- Siegmann (2003): Table Q, 10 (white zigzags with a green line, dm 22 mm).

TM 297aVar: Bol-Reifen, ds light greyish green with 2 opaque-pale yellow irregular zigzag lines between 3 opaque red lines, 8; dm 27, h 17, g 5:
- Voss (1998) 51: (297b) Liessow-Güstrow, 54: Gammelin-Hagenow, 77: (TM 294c and 297a): Pritzier-Hagenow [3], 91: TM 294c: Dütschow-Parchim;
- Erdrich (2002) 106: TM 294cVar: with yellow zigzag between red contours, 1.9 cm, Altenwalde-Cuxhaven, 145: Rahmstorf-Harburg, 171: Issendorf-Stade, 185: dm 1.5 cm Helmstedt;
- Erdrich (2004) 48: (294a / c) Mustin-Herzogtum Lauenburg, - 56: (294c and 298a) Kasseedorf-Ostholstein [2], 63: Preetz-Plön [2];
- TM: Biskupin, Cecele. Type 294c: Cow beer, Cecele [3], - Kozlowko, Niedanowo [3], Nur-Kolonia, Rybna-Kolonia, Rubokaj, Schernen.

TM 377aVar: 'Melon' light biconical, 5 ribs, ds light greyish green with on the ends 5 red-white-dark blue eyes, 21; dm 30, h 20, g 6:
- Erdrich (2002) 137: Westerwanna-Cuxhaven: lobed bead - from colorless glass, on the tops an opaque white rimmed, blue opaque dot.

TM 388Var: Amber bead, skewed disc, 17; dm 22, h 5-10, g 2.5:
To be found everywhere in beaded chains of northern Europe, also singular in Roman cords, eg in the late Roman tombs of Nijmegen and Augst.

TM 508Var: 'Kristallwirtel' made of glass, facetted, ds blue, 'sugared', edges damaged, 0; dm 38, h 26, g 8.5:
The same form also at Koch (1977): grave 553.8: Polyedrischer Kristallwirtel, dm 3 cm, which lay next to the right arm of the adult female dead, St. 4; grave 33.5: Wirtel aus Bergkristall, Sides stark bestossen, dm 3.2 cm, at the left upper part (and another 3.5 cm amber disc on the basin), St. 2, so resp. early 7th century and late 6th century. Parallels in glass, but from the Migration Era (press release Genevra Kornbluth, e-mail August 2007):
- Vogt (1930): Basel and Giesler-Müller (1992): Basel [2];
- Dimitriev (1979): Diurso 500 Kaukasus;
- Mildenberger (1959): Elstertrebnitz (Borna-Sachsen);
- Veeck (1931): Entringen-Württemberg;
- Welch (1983): Ferring-Sussex

Koch 9Var: Reifen-waltz, "black" (= ds dark green) with intersecting opaque turquoise bands and three opaque light-cobalt blue warts, 30; dm 20, h 13, g 5:

- 14) Urach.

'Melon', Reifen sphere, 6 ribs, ds turned gray green with opaque red bands on the ribs with opaque yellow opaque eyes (around the equator), 16; dm 35, h 20, g 4:
'Melon', light-biconical, 6 ribs, ds olive-green with opaque red bands on the ribs, on the tops of green-opaque red eyes, 14; dm 33, h 24, g 5:
- Erdrich (2002) 172: New type: large 5-ribbed bead, green-ds, on each rib a red opaque stripe with 2 yellow dots is applied, dm approx. 3,0 cm. Issendorf-Stade.

'Melon', conical, 8 ribs, ds olive green with shiny opaque red, yellow and green bands over the ribs and a yellow line around the largest size (painted?), 12; dm 35, h 19, g 3:
No parallel.

Reifen, crooked, slightly angular, ds ultramarine blue with narrow, opaque white circles, 20; dm 30, h 14, g 10:
As Guido (1978: 25) Class 6 (Large dark blue annular beads with bosses inlaid with white or yellow spirals) - Oldbury type (a), Plate I, also angular. 'Middle and late Iron Age, especially last part 1st century BC, almost certainly originally from the continent or from continental model.'

It is clear that it is possible to find parallels for the belt beads, but the Zweeloose beads are sometimes one and a half times larger than the examples found - with a diameter of up to 35 mm. In the literature one then does not speak of beads, but of 'spindle whorls' or 'magical Anhänger' [magical pendants].

Although the beads of the belt are very different from those of the necklace of the 'Princess', they are also mainly found back in Tempelmann-Mączyńska and therefore also at Voss (1998): bead numbers (1, 13 and 18) 2, 3 , (6, 10, 19 and 28) 8, 15, 26 and 31, Erdrich (2002): 3, (4, 22) 8, (5, 7, 9, 11, 23, 27 and 29), (14 , 16), 15, 21 and 31 and Erdrich (2004): (1, 13 and 18) 2, 8, (4, 22), (5, 7, 9, 11, 23, 27 and 29), (6 , 10, 19 and 28) 25, 26 and 31.

In Mecklenburg-Vorpommern (Voss, 1998), one of the 8 types of belt-bead types mentioned was found 23 times, in total 30 pieces. In Bremen-Niedersachsen (Erdrich, 2002) 14 times one of the mentioned 8 bead types was found, a total of 19 pieces. In Schleswig-Holstein (Erdrich, 2004), 16 times one of 9 bead types was found, total 37 pieces. The center of gravity of the sites is therefore in the smallest of the three federal states: Schleswig-Holstein; in Mecklenburg-Western Pomerania were more often parallels, [p.926] but in smaller numbers. Four of the fifteen different types (0, 12, 20 and 30) occur in Lower Saxony, Schleswig-Holstein, nor in Mecklenburg-Western Pomerania.

We also know some beads from Augst, for example the translucent grass green bead 2 and the black bead 3 with white zigzag line. Black beads with line and zigzag or dot decoration are also surprisingly abundant on the Runde Berg from Urach in Baden-Württemberg. Bead 26 (Typ Kempten) is very likely a 1st-century bead. The blue, angular bead 20, which can only be found in Class 6 of Guido (1978) in Great Britain counterparts (Oldbury type), dates from the last half of the 1st century BCE and is probably of continental origin. On the distribution maps made of the belt beads (fig. 27) it can be seen that the majority of the beads originate from the northern part of the free Germania, but a final judgment can only be given if also of the states in the middle and south of Germany a Corpus of Roman finds has been assembled as happened for the north. After all, on the 'Runde Berg' of Urach (Koch, 1987) there are already five types of beads, totaling eighteen beads. But this number is possibly inflated, because all black beads with colored speckles are counted there (6) and elsewhere only such with red and white dots.

3. DISCUSSION ABOUT THE 'PRINCESS'

Van Es & Ypey state that the grave is of a lady of status who, according to her comments, has (had) contacts with the North German coastal area. The finds in the neighboring graves also point to provincial-Roman and Frankish relations. Especially the horse graves that run straight to the princess's grave underline its regal character. Van Es & Ypey (1977: 123-124) assume that the princess was buried in her dress (fig. 26a). Of beads in a belt - the writers also speak of amulets, precisely because they are at waist height - only one example is known, namely in Vron, although the beads are much smaller there. A similar fibula ensemble was found in grave 19 in Sahlenburg (Niedersachsen).

            Vons-Comis (1988: 172) made a reconstruction of the clothing after conscientious research and correctly found that no beads were found above the disk fibulae and that the beads were therefore not in normal necklaces but presumably were hanging off the fibulae. The belt chain could have been laid loose on the belly afterwards or the beads that might have been attached to the back were decayed. She points to a grave in Bad Lippspringe (Lange, 1959) with largely the same inventory as that of the princess: two saucer fibulae, seven glass beads, a pierced tooth of a bear, two almost identical keys, nine bronze rings and a bowl.

            The reconstruction of the princess's clothing is most likely correct given the extensive report by Vons-Comis (1988). Objections that can be made against the reconstructions of the jewelry by Van Es & Ypey and Vons-Comis (fig. 26b) are as follows:

- The 'princess' can not be buried in her regular dress for practical reasons: the weight of the beaded chains is already 810 grams and the metal objects and other items are added. To be beautiful, a woman would suffer pain, but not daily and not all day long;
- Even if they are hung off the disc fibulae, two large chains are too heavy, they would pull the peppers forward;
- The bead chains always hit each other so that they become damaged;
- The special crystal whorl-bead D0 was placed in the belt chain on the right side of the 'princess' when reconstructed, while on the watercolor of the excavation it was depicted just below the butterfly fibula, so slightly to the left of its center. D0 is certainly not hidden under the arm, the 'princess' of the reconstruction would constantly bump her elbow to the poky, heavy thing. With its 4 cm diameter it is the largest amulet and presumably in the middle of the chest;
- On the drawing Ypey made it can be seen that all the beads, except for bead D0, were strung on cords (fig. 21). But some amber beads lie between the disk fibula, which could indicate that this cord was placed on her breast at the time of burial. Also the belt beads are laid in such a way, that it is not necessary to take into account (now digested) organic beads on the back and thus this cord can also be on top of the body;
- The multiplicity of attributes at chest height: two disk fibulae, the 'small' necklace, a comb, a beaver tooth, the toilet trimmings and the butterfly fibula as closure for her shawl (fig. 26c), make it unlikely that the 'princess' carried all those things at the same time.

[p.933] Only the beaker in grave 88 of the group graves around the 'princess' is too little to indicate a royal homestead. A row of horse graves would do that. Unfortunately, there is no more evidence for this than its oriented towards the princess's grave. Moreover, it would then be strange that the horse grave P4 crosses the grave 86 of the princely relative of the 'princess'. The Perlberg fibulae date this grave to about 400, one colored bead in it is certainly to date later than 500 (Siegmann, 2003: Teil 2, Plate 1, bead 8. For the bead from Zweeloo grave 86, see the bead inventory in the back). Incidentally, that grave gives a messy picture because of the belt hook and a burnt Zwiebelknopf [onion button] fibula from a men's cremation grave underneath. A separate horse grave P7 is dated by an umbo to the 8th century; it is unlikely that the worship of the tomb of the 'princess' would last for centuries and that the burying of horses continued until that time.6 However, it can not be ruled out a richer part of the burial ground from the time of the 'princess' was disturbed by the sand extraction.

            In Liebenau, 150 km east of Zweeloo, is an inhumation grave (P10 / A2) from the late 4th century to early 5th century, with the same scale and keys as the 'princess' and a large silver fibula on the chest and two Stützarm [support arm] fibulae on the shoulders (Hässler, 1999: 77 and Abb 79). In Issendorf there are two rich graves (3532 and 3526) that also contain butterfly fibulae and bead strings (Hässler, 1994). Parallels can easily be found for the 'princess' in the northern states of Germany, not in Drenthe. However unusual the size of the belt beads may be, this also applies to her beads. It is noticeable that only ten similar beads can be found for the necklace of the dozens of simultaneous beads from Liebenau; for the belt chain one parallel in the form of a black bead with white zigzag lines and light green band (s) with a diameter of 'only' 22 mm, Siegmann promptly called 'Wirtelperle'.

            This would mean that the Zweeloo lady herself probably came from the North German coastal area and that she was not a Drenthe 'princess' who acquired valuables from elsewhere. If the large amber beads and the glass belt beads were not spindle whorls - in fact, with one spindle whorl a woman had enough, certainly a lady of status - then they were indeed amulets and perhaps the 'princess' fulfilled a completely different - magical - function.

4. NOTES

1. This article is a slightly modified version of the fourth chapter (Excursion: Princess van Zweeloo) from the Master's thesis 'Paarlen for the Archaeologists: Roman and Germanic Beads in the Netherlands' of August 2007. The project is the conclusion of the study Art History- Archeology at the Radboud University in Nijmegen, written under supervision of Prof.dr. M. Erdrich. My gratitude to Drs. V. van Vilsteren for the friendly help with the research in the Drents Museum and to em. Prof.dr. W.A. van Es for the discussion, 30 years after the publication of the 'Princess', at his home. I am grateful to Drs. J.N. Lanting for the additions concerning the comparable graves in Issendorf-Stade and the remark about the ¹⁴C method.

2. Until recently, they were thought to be temples or grave chapels, but further investigation showed that the poles served as struts for the burning stack (Beuker, Van der Sanden & Van Vilsteren, 1991).
3. The total weight, 139 grams for 101 large beads seems very little (1.3 grams on average per bead), but amber has a specific gravity of just a little over 1.
4. Cf. Vons-Comis, 1988: 64. She does not want to mention the legs comb because it deviates from the triangular type that was in fashion back then, but in Siegmund's phase 2 both types of combs occur. The plate of bone of the 'princess' has a little too many non-holes (every 0.5 cm), but can not be anything other than a comb.

5. One could also wear amulets to the left on the hip, but then D0 should have been with the keys.
6. Of the horses, bone material has been preserved with which possibly a ¹⁴C dating can be done (verbal statement V. van Vilsteren, 2007). However, even if there is enough bone material and if it has not been treated with preservatives, it is very doubtful whether the quality is good enough for a ¹⁴C dating. Apart from this, a ¹⁴C dating probably does not provide sufficient certainty (written by J.N. Lanting).

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Published as:

Palaeohistoria 49/50 (2007/2008) Het Vroegmiddeleeuwse grafveld van Zweeloo.

Bijlage 1: De kralensnoeren van de 'Princess van Zweeloo,' page 919-934.
W.A. van Bommel-van der Sluijs

Translation from Dutch, with minimal grammar edits, by Susan Verberg, 2018.